How to enhance the drum bus
Maria Elisa Ayerbe shows how she uses DynOne to enhance the sound of the drum bus.
The ultimate smart parallel multi-band dynamics processor
DynOne was designed from the ground up to put 5 bands of quality parallel compression at your fingertips. Transparent and adjustable filters will help control your audio levels without discarding the nuances of your sound. Intelligent and responsive attack and release settings work within pre-set values to get you closer to the sweet spot, faster, and with less guesswork.
Despite the help it offers, it doesn’t take your creative decisions away from you, so if you’re the type who isn’t satisfied until everything is just right then the comprehensive options, clear metering, and intuitive controls will get you where you want to be. Features you won’t find elsewhere include a unique weighting algorithm to offer specific control of your sidechain, and a Center-Side Mode to give attention to your stereo field.
Hear the difference high-quality FIR filtering can make. Keep your levels where you need them without sacrificing any detail
Find comprehensive options for fine mixing and mastering, such as variable RMS vs peak detection, stereo link control and unique weighting algorithm
Beautiful Retina design with most common controls on one screen and a complete range of fine adjustments only a click away
Available on Mac OSX (10.13 +) (M1-Native), Windows 8, 10 (64-bit only) in AAX-Native, VST3 and AU
Made by a dedicated support team who listen to the community
You will hear no aliasing, no phase issues, and no distortion between the bands, even at higher frequencies. We built DynOne from the ground up with quality and audio transparency in mind. The result is a compressor that remains transparent and musical in situations where other compressors would have an impact on your sound. The CPU burden is modest and adjustable, with automatic bouncing in highest-quality so as not to compromise your workflow.
A traditional fixed approach to attack and release times won’t always give you the best results so we use adjustable min and max settings. This means you can optimize your dynamics both with transients or sustained sounds.
It looks good and it sounds good, because we were thinking of you when we designed it. To find your sound quickly, we created something minimal and clear. You can get good results in a few clicks with real-time feedback to visualise what you’re hearing. Save time and sound great!
Bob Katz
Grammy winning mastering engineer
Paquito D’Rivera, Sinéad O’Connor, Dizzy Gillespie, Livingston Taylor, McCoy Tyner
Greg Wells
Grammy winning producer and mixer
Adele, Dua Lipa, Pink, Katy Perry, OneRepublic, Keith Urban
Bob Ludwig
Grammy winning mastering engineer
Led Zeppelin, Queen, Jimi Hendrix, Paul McCartney, Nirvana, Daft Punk
Joe Chiccarelli
Grammy winning producer & engineer
Frank Zappa, White Stripes, U2, Alanis Morissette, Beck, The Strokes, Morrissey, Christina Perri, Jason Mraz
Seth Drake
Mastering Engineer
Bassnectar, Ellie Goulding, Rick Ross, The Prodigy, Gucci Mane, Method Man, Ghostface Killah, Nina Simone